Video Buddies Comedy
The crazed brainchild of
the over-fertilized mind of John
Simmons Gross National Product first came to life as a group
named “Video Buddies” back in 1979. The name seemed appropriate
for a generation weaned on television, using video-oriented concepts
and imagery. The group put together a show of sketch-based ensemble
comedy and began playing small stages and rock clubs in the Washington
area. If the ultimate goal is laughter, the biggest sin is predictability
and Video Buddies comedy was dedicated to bringing a little levity
to a city of full of deep issues and shallow answers. The Washington
Post commented on seeing Video Buddies that their show “hit between
the eyes, sometimes with a sledgehammer, but is charming in its
own fashion, imagery being delivered at a lightning pace.”
DC Space and
Columbia Station were frequently home to their shows in the early
days as the group developed a cult following. In those days the
“Buddies” often opened for rock acts like Root Boy Slim and the
Original Fetish, who joined forces at times with the Buddies in
“The Warsaw Pack”, a band allegedly visiting the U.S. from behind
the Iron Curtain. The lead and rhythm accordion section actually
convinced the punk crowd that the Pack was for real. The Unicorn
Times commented about Washington’s “most original comedy ensemble.
When the lights came up for the second set the ‘Buddies’ were
no where to be found but instead a ‘new wave’ band decked out
in a truly revolting combination of Slavic fold and eighties punk
regalia, the Pak delivered what can only be described as ersatz
rock from the Eastern Bloc.”
The Buddies’ darkest day
occurred when they foolishly agreed to open for the legendary punk band,
The Bad Brains, at the University of Maryland, only to be greeted by a
roomful of drunken frat boys hurling plastic cups full of beer. But the
Video Buddies comedy careers’ peaked a year later in their triumphant return
to the U of M as the opening act for the famous recording comedy artists,
Firesign Theater. The Diamondback, the University paper said, “Even
more theatrical than the Firesign Theater, the Buddies pulled off a number
of brilliant sketches.”
During the
Buddies reign of terror they presented hundreds of shows, some
of which even had names: “A Bonzo Christmas Carol” (see news clipping
the Washington
Post Style section Theater Notes), “Bureaucrats Over Washington”,
“2711: The Final Food Chain”, “Alex in Washington” (a take on
Alice in Wonderland), “Theater of the No”, “Beyond Funny”, “Tourist
Trap”, “1983 and Counting” and “Gross National Product” about
which Lloyd Grove of the Washington Post wrote, “they always bring
along some unexpected pleasure.”
A few old flyers and reviews
have been preserved for posterity in the Video Buddies Vault (coming soon).
As the group began to
gain notice, the personnel of the troupe changed to professional actors
and the name was changed to Gross National Product to reflect our
increasingly political themes. And the rest, as they say, is history!